![]() Max Reger wrote some, but they aren't performed much. The solo suites for cello wouldn't have any noteworthy successors until Britten's suites written in the 1960s. His incredible use of counterpoint and harmonies separates him from his contemporaries and imitators. There is a lot more depth to his music than others from his time. Style-wise, it is very easy to tell Bach apart from others. In order by suite: "Nativity," "Agony in the Garden," "Descent of the Holy Spirit," "Presentation at the Temple," "Crucifixion," and "Resurrection." This is not for sure, but it would not be surprising since Bach was a very religious man. The six suites as a whole can be seen as different parts of the story of Christ. This can be seen in the fifth suite prelude and fugue. He also creates different 'voices' using different ranges of the instrument. His string works also make use of double and triple stops quite often. ![]() Bach makes use of a short recapitulation before ending on chords.īach's solo writing is masterful, he creates the illusion of rich harmonies even with just one voice. The cadence at the end of the first half lands on a D-flat, giving no finality before a scale passage. ![]() Bach uses c and g minor as key areas instead of the subdominant and dominant (A-flat/B-flat) to get the most out of the cello's open strings. In the first half, the basis of the music is in the various changes in harmony. Bach uses lower notes to establish the key and follows it with the arpeggio. ![]() The prelude is almost consistantly arpeggios and like other preludes is improvisatory in nature.
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