![]() ![]() The movie was finished as a 4K DI.ĭouble Negative – Arena jungle and Cornucopia environment, spinning island and tidal wave digital water work, finale jungle/dome destruction, fog, birds and the bigger Capitol sequences such as the Avenue of the Tributes (VFX supervisor: Adrian De Wet) Weta Digital – Digital monkeys (VFX supervisor: Guy Williams) Method Studios – Victor’s Village and robotic cameras, Capitol train, President Snow’s party, Caesar Flickerman’s theater show and Mockingjay dress (VFX supervisors Stephane Naze and Matt Dessero) Rodeo FX – D12 and Victory Tour districts environments/set extensions (VFX supervisor: François Dumoulin) Fuel VFX – Tribute training center holograms (VFX supervisor: Paul Butterworth) Hybride – Games control hologram and desktop graphical interfaces (VFX supervisor: Thierry Delattre) Proof Inc – Previs and postvisįor more on the visual effects of Catching Fire, listen to Mike Seymour’s in-depth fxpodcast with visual effects supervisor Janek Sirrs In the Districts Audiences seeing the film in a IMAX theater have the benefit of the picture expanding to the larger film format as the Tributes arrive inside the arena. ![]() Catching Fire was filmed in a combination of IMAX and Super-35 formats. ![]()
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